The AIDS Memorial Quilt contains more than 47,000 panels with the names of more than 93,000 people. Laid end to end, they would stretch more than 50 miles. Displaying the whole thing is such a huge undertaking that it hasn’t been tried since 1996, but it’s about to be done, in a series of events beginning Wednesday, the 25th anniversary of that first display.
June 2012
6 posts
There’s been so much public quarrelling about the Frank Gehry proposals for the design of the Eisenhower Memorial that I’ve avoided it in general as a topic here—the story feels done to death, pardon the pun. However, this piece by Philip Kennicott in the Washington Post is of particular critical interest. It neatly dissects David Brooks’s sloppily written op-ed in the New York Times. Kennicott observes:
Brooks likes the Lincoln and Jefferson memorials because they invite you to look up at the great man. He argues that more recent memorials “evade the thorny subjects of strength and power.” The Maya Lin-designed Vietnam Veterans Memorial is “about tragedy” while the Korean memorial “is about vulnerability.”
But these are war memorials, not monuments to individuals. They aren’t about leadership, but rather about the most colossal failure of leadership. The Maya Lin-designed Vietnam memorial, which isn’t just about tragedy but also about shame, doesn’t wallow in victimology. It screams truth at power.
Brooks never really answers how one might design a contemporary memorial in a way that deals with power and authority in more subtle, complex ways, a memorial that celebrates Eisenhower’s obvious greatness, yet acknowledges the “paradoxes” of power.
This piece by Sarah Bakewell for the Guardian is particularly moving: The police force of Croydon in the U.K. has recovered a haul of around 450 memorial plaques that were stolen from cemeteries, broken into fragments and sold to a scrap metal yard. They are now painstakingly reassembling the memorials as a giant jigsaw on the floor. A small team of police and support officers works through the scraps, a bucketful at a time, finding a part of a name here, an “In loving memory” there, and slotting each one into place.
It is not that easy to state the value of public plaques, memorials or art, so strangely do they combine social and historical meaning, beauty of form and brute material substance. […] In fact, the loss can hardly be quantified, for works of art – and memorials – are magnificently useless and belong more to a gift economy than a trading one. Memorials constitute an act of generosity towards the past (those we commemorate) and the future (those visitors who will one day seek out a plaque or grave, or wander past it and be enlightened, intrigued or moved).
Read more here.